Monday, August 3, 2009

Pablo Picasso's Role In The Art Movements Of Cubism & Fauvism

By Tom Gurney

Pablo Picasso, born in Malaga, Spain in 1881, was the son of an art teacher who encouraged him into the art world, and quickly recognised his talent. After joining the Barcelona School of Fine Arts at the age of 14 Picasso progressed quickly and soon convinced others of his extraordinary talent and creativity as an artist.

Picasso spent the years of 1900 to 1906 in what is referred to as the Blue and Rose Period. The Blue period involved the use of blue in most of Picasso's works to represent a negativity and sadness of his paintings and those within them. Art experts, even those who rejected his later innovative style, respected his blue period. The rose period signalled a choice of brighter pink tones over the previous blues.

Pablo Picasso became great friends with Henri Matisse upon moving to Paris in 1904 and here was introduced to French Fauvism. Other artists he met here include Joan Miro and George Braques.

Cubism was created by Picasso, Braque and Juan Gris, after the legacy of Paul Cezanne started to take effect. Its use of geometrical shapes is still popular today, and remains Picasso's biggest legacy.

Picasso painted Guernica in 1937 as a protest against an air attack during the Spanish Civil War and is one of his best known paintings, not only for its quality, but also what it symbolised. His symbolic styles were continued in Dying horse and Weeping woman.

Guernica was stored in the museum of Modern Art, New York up until 1981. Picasso allowed it to return to Spanish's shores after the end of Fascist rule, and it was taken to the Prado Museum and the Queen Sofia Center of Art in Madrid.

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